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Ghana's Concert Party Theatre
Indiana University Press, 2001
ISBN 978-0-253-21436-2
216 Pages
Summary
Ghana’s Concert Party Theatre
Catherine M. Cole
An engaging history of Ghana’s enormously popular concert party theatre.
“. . . succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues.” —Karin Barber
Under colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana’s concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole’s extensive and lively look into Ghana’s concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture.
Catherine M. Cole is Assistant Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Kwame Braun on “passing girl; riverside,” a video essay on the ethical dilemmas of visual anthropology.
Contents
Acknowledgments
Note on Orthography
1. Introduction
2. Reading Blackface in West Africa: Wonders Taken for Signs
3. "The Rowdy Lot Created the Usual Disturbance": Concerts and Emergent Publics, 1895-1927
4. "Ohia Ma Adwennwen," or "Use Your Gumption!": The Pragmatics of Performance, 1927- 1945
5. Improvising Popular Traveling Theatre: The Poetics of Invention
6. "This is Actually a Good Interpretation of Modern Civilization": Staging the Social Imaginary, 1946-1966
Notes
Bibliography
Biography
Catherine M. Cole is Associate Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Nathan Kwame Braun on "passing girl; riverside," a video essay on the ethical dilemmas of visual anthropology.
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